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For me, one of the defining images of the early '90's is that of the inscrutable, enigmatic girl who adorned the cover of Future Sound Of London's 1994 album 'Lifeforms'. The artwork was created by a digital artist cum designer called Mark McClean, alias Buggy G Riphead, and though a quick google reveals him to be still working today (hypersonique.com), I don't think anything he's done since quite matches the impact of that strange, hermetically sealed world, part 2001, part Dali, that he created for FSOL.
For me, one of the defining images of the early '90's is that of the inscrutable, enigmatic girl who adorned the cover of Future Sound Of London's 1994 album 'Lifeforms'. The artwork was created by a digital artist cum designer called Mark McClean, alias Buggy G Riphead, and though a quick google reveals him to be still working today (hypersonique.com), I don't think anything he's done since quite matches the impact of that strange, hermetically sealed world, part 2001, part Dali, that he created for FSOL.
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